The Steel Wheels *SOLD OUT*

About The Steel Wheels:

“Few groups have come as far in such a short period of time as The Steel Wheels…” – NPR’s Mountain Stage

Virginia-based acoustic roots music collective The Steel Wheels have announced the July 12th release of their 7th full-length album, Over The Trees. Recorded in Maine with producer Sam Kassirer, Over The Trees draws attention to the impeccable harmonies of the four original members: Trent Wagler (guitar/banjo), Eric Brubaker (fiddle), Brian Dickel (bass), and Jay Lapp (guitars/mandolin). Kevin Garcia, who plays multiple percussion instruments, keyboard, and mallet-based instruments, formally joined the band after the 2017 release of Wild as We Came Here, which Kassirer also produced. In addition to familiar-to-fans harmonies, The Steel Wheels ventured a little farther out of their known comfort zone for Over The Trees. “This is a bit of an experimental record at times, with new sounds and influences,” Wagler says. “We know where we come from. We are a string band from Virginia, but we are evolving with this album, and we are embracing the future.”

Over The Trees opens with the percussion-heavy groove of “Rains Come,” a rehashing of the classic tale of Noah and his ark in relation to today’s contingency of climate change deniers. “If there are real dangers ahead in our planet’s hope for survival, why isn’t it all any of us are talking about?” asks Wagler, the song’s primary writer. “It’s overwhelming, that’s why. I don’t like admitting that I get stuck right there, but this song offers some of those questions.” A little deeper into the record, the swampy chant of “Something New” ushers in a recurring theme on Over The Trees; mantra and meditation. “Get To Work” is another tune that falls under the theme. Wagler muses, “I know that ‘Get To Work’ is self-talk for when I’m feeling down, when I’m feeling overwhelmed, or when I’m feeling like, ‘Ugh, what do we do this for?’” Certainly though, not all the songs on Over The Trees fall so neatly under that umbrella. “Time To Rest,” co-written by Wagler and southern songstress Sarah Siskind, reflects on the weight of letting down friends or loved ones in a lilting feel that Wagler calls “an implied Levon Helm swing.” The album closes with “This Year,” a wistful a cappella ode to keeping an optimistic spirit, even down to showing gratitude for the cat who is waiting for you when you finally get home.

On the whole, Over The Trees is a collection of songs about surviving tragedy. “At times our human response is muted and resigned, at other times triumphant and steadfast,” notes The Steel Wheels’ fiddle master Eric Brubaker, who’s outlook on the album changed significantly when he lost his 10 year old daughter to a sudden illness earlier this year. "Over the Trees is an ode to the community that rises up to support those in need, and is dedicated to the memory of Norah Brubaker."

The release of Over The Trees coincides with the band’s Red Wing Roots Music Festival, which they have hosted and curated for seven years. “Lucky number seven, can you believe it?” said Wagler. “The changes of seasons in Virginia are always something to behold. The colors of fall, the cool, quiet, darkness of winter, and the new growth of spring bringing us to our full bloom in the heat of summer. Summertime brings vacation for many, perhaps a slower pace, but in our modern age, it also comes with so many great choices for recreation and fun. We are charmed and delighted that somewhere along the way, among all the different choices, so many of you have joined our Red Wing family.” The community of Red Wing and the greater community of Steel Wheels fans have been the driving factor of what sets the band apart from their contemporaries and peers in a densely populated digital age. The love and kindness that breathes life into The Steel Wheels’ music flows freely from the stage, into the audience, and is taken from there into the world as a medicine; a much-needed pick-me-up for today’s trying times.

About Dogwood Tales:

 Out of the Shenandoah Valley blossoms the debut album from Dogwood Tales Too Hard To Tell. Recorded at the Fidelitorium in North Carolina (Wilco, Avett Brothers, Mandolin Orange) on 2 inch analogue tape, this organic Americana/Alt-Country record hits like a contemporary take on Neil Young's Harvest. In 2016 they released an EP and toured heavily building a strong fan base. This promising debut full-length is sure to expand on the solid foundation they've built over the past few years.

  Benjamin Ryan and Kyle Grim are the duo behind Dogwood Tales. They began playing together in high school and became friends playing in pop-punk bands in bordering towns. Naturally they cultivated a more roots oriented pallet, echoing the classic sounds of their home in the Valley. Their discovery of the great country duos of Gillian Welch and Dave Rawlings, Gram Parsons and Emmy Lou Harris and more recently Mandolin Orange gave them a broader view of the valley music they would set out to create. 

  The Tales' songs have a spiritual aspect that derives more from the Blue Ridge Mountains than the Church. Their lyricism grows out of a serious commitment to literature and specifically the Southern-Gothic canon. Too Hard To Tell carries the weighted stories and one-liners often found in the songs of American folk music with a special attention to tone and emotion. The songs speak of scenarios and heavy stations of life and death in small town America. There is a different aspect of time that exists in these places, a slowness yes, but also an immediate and daily reality of birth, life and death. Dogwood Tales have captured something akin to a lightning-bug in a mason jar on this ethereal and rich debut effort. 

Dogwood Tales' "Too Hard To Tell" comes out February 22, 2018.