Chris Smither & Loudon Wainwright III

Born in Chapel Hill, N.C. in 1946, Loudon Wainwright III came to fame when “Dead Skunk” became a Top 20 hit in 1972. He had studied acting at Carnegie-Mellon University, but dropped out to partake in the Summer of Love in San Francisco, and wrote his first song in 1968 (“Edgar,” about a lobsterman in Rhode Island). He was soon signed to Atlantic Records by Nesuhi Ertegun, and after that was lured by Clive Davis to Columbia Records, which released “Dead Skunk.” His songs have since been recorded by Bonnie Raitt, Johnny Cash, Earl Scruggs, Kate & Anna McGarrigle, his son Rufus Wainwright, and Mose Allison, among others. Wainwright has recorded 27 albums, including his 2009 Grammy Award-winning High Wide & Handsome.

In 2022 Loudon released Lifetime Achievement, an album of 15 original songs, that established his singular talent as our foremost six-string tragicomedian, not only undiminished, but hitting new heights. The orchestration varies from solo performance, to trio work with his longstanding musical cohorts, Chaim Tannenbaum and David Mansfield, to Nashville and Memphis-style little big bands, to a full-blown string arrangement by Rob Moose. Loudon puts his latest achievement in the context of a lifetime of music making this way: “When I made my first record for Atlantic in 1969, I wanted to make not only a recording, but a document that captures a moment. Now, fifty years later, I guess I still want to make a testament of songs, and I like to think they might last a while.” 

In October of 2020 Loudon unveiled the album I’d Rather Lead a Band, in which he is featured as a vocalist with Vince Giordano and The Nighthawks. The 14-song collection of classic songs from the 1920s and ‘30s was widely acclaimed. During the pandemic, Wainwright has produced a number of virtual shows, including The Special Relationship (presented by the Royal Albert Hall ) and The Great Unknown, a musical tribute to his friend, the late George Gerdes. Also featured in that show were Richard Thompson, Suzanne Vega, Steve Forbert, and the members of Spinal Tap.

In October of 2020 Loudon unveiled the album I’d Rather Lead a Band, in which he is featured as a vocalist with Vince Giordano and The Nighthawks. The 14-song collection of classic songs from the 1920s and ‘30s was widely acclaimed. During the pandemic, Wainwright has produced a number of virtual shows, including The Special Relationship (presented by the Royal Albert Hall ) and The Great Unknown, a musical tribute to his friend, the late George Gerdes. Also featured in that show were Richard Thompson, Suzanne Vega, Steve Forbert, and the members of Spinal Tap.

In Fall 2018, Loudon released Years in the Making a 42-song treasury of rare and unreleased Loudoniana. This 2-disc, 60-page hardbound audio-biography of his 40-year career includes orphaned album cuts, lovingly-made lo-fi home recordings, radio appearances, demos, live performances and beyond. It features appearances by Kate McGarrigle, Suzzy Roche, Bill Frisell, Van Dyke Parks, Chaim Tannenbaum, David Mansfield, and the Wainwright children Rufus, Martha, Lucy, and Lexie.

In 2017, Wainwright published his memoir, Liner Notes (Blue Rider Press), which led to appearances on Fresh Air with Terry Gross and WTF with Marc Maron. The New York Times said the book “makes your heart wobble on its axis.”

Wainwright also created a one-man theatrical show, Surviving Twin, which combines his songs and the writings of his late father. Initially developed as part of University of North Carolina's Playmakers series, it focuses on fatherhood—both being a father and having one—and also explores the issues of birth, self-identity, loss, mortality, fashion, and of course, pet ownership. Surviving Twin has been performed in limited theater engagements and is available as a Netflix special, produced by Judd Apatow and directed by Christopher Guest. 

Songs covered by Johnny Cash, Bonnie Raitt, Earl Scruggs, Mose Allison, Big Star, Freakwater, Norma Waterson, Kate & Anna McGarrigle, Rufus Wainwright.

Additionally, Wainwright has co-written with songwriter/producer Joe Henry on the music for Judd Apatow’s hit movie Knocked Up, written music for the British theatrical adaptation of the Carl Hiaasen novel Lucky You, and composed topical songs for NPR’s Morning Edition and All Things Considered and ABC’s Nightline. An accomplished actor, he has appeared in films directed by Martin Scorsese, Hal Ashby, Christopher Guest, Tim Burton, Cameron Crowe, and Judd Apatow. Wainwright has also starred on TV in M.A.S.H. and Undeclared, and on Broadway in Pump Boys and Dinettes. More recently, he appeared in the film Pleased to Meet You (with fellow music legends John Doe, Aimee Mann, and Joe Henry), and the television series, Mosaic, directed by Steven Soderbergh.

Born in Miami, during World War II, Chris Smither grew up in New Orleans where he first started playing music as a child. The son of a Tulane University professor, he was taught the rudiments of instrumentation by his uncle on his mother’s ukulele. “Uncle Howard,” Smither says, “showed me that if you knew three chords, you could play a lot of the songs you heard on the radio. And if you knew four chords, you could pretty much rule the world.” With that bit of knowledge under his belt, he was hooked. “I’d loved acoustic music – specifically the blues – ever since I first heard Lightnin’ Hopkins’ Blues In My Bottle album. I couldn’t believe the sound Hopkins got. At first I thought it was two guys playing guitar. My style, to a degree, came out of trying to imitate that sound I heard.”

In his early twenties, Smither turned his back on his anthropology studies and headed to Boston at the urging of legendary folk singer Eric von Schmidt. It was the mid-’60s and acoustic music thrived in the streets and coffeehouses there. Smither forged lifelong friendships with many musicians, including Bonnie Raitt who went on to record his songs, “Love You Like A Man” and “I Feel the Same. (Their friendship has endured as their career paths intertwined over the years.) What quickly evolved from his New Orleans and Cambridge musical experiences is his enduring, singular guitar sound – a beat-driven finger-picking, strongly influenced by the playing of Mississippi John Hurt and Lightnin’ Hopkins, layered over the ever-present backbeat of his rhythmic, tapping feet (always mic’d in performance).

Smither’s first albums, I’m A Stranger, Too! (1971) and Don’t It Drag On (1972) were released on Poppy Records, home of kindred spirit Townes Van Zandt. By the time Smither recorded his third album, Honeysuckle Dog with Lowell George and Dr. John helping out, United Artists had absorbed Poppy and ultimately dropped much of their roster, including Smither. Smither made his next record in 1985, when the spare It Ain’t Easy on Adelphi Records marked his return to the studio.

By the early ’90s, Smither’s steady nationwide touring and regular release of consistently acclaimed albums cemented his reputation as one of the finest acoustic musicians in the country. His 1991 album, Another Way to Find You, was recorded live in front of an in-studio audience with no overdubs or second takes. This would be the first of two albums with Flying Fish Records. His next recording, Happier Blue, was embraced by Triple A radio and received the NAIRD (now AFIM) award as Best Folk Recording of 1993. Up On The Lowdown (1995) marked the first of a trio of albums to be recorded with producer Stephen Bruton at The Hit Shack in Austin and his first of five albums with roots label HighTone Records. Up On the Lowdown rode the crest of the newly formed Americana radio format wave and sparked considerable interest abroad. A tour of Australia with Dave Alvin and extensive solo touring in Europe led to an expanding global interest in Smither. His song, “I Am the Ride,” from this album inspired the independent film, The Ride, for which Smither also composed the original score.

In early 1997 Smither released Small Revelations. It climbed the Americana and Triple A radio charts and led to concert dates with B.B. King, Bonnie Raitt, Nanci Griffith, and the hugely successful, original Monsters of Folk’ tour with Ramblin’ Jack Elliott, Dave Alvin and Tom Russell. Small Revelations also generated several film projects for Smither. Emmylou Harris recorded his song, “Slow Surprise,” for the The Horse Whisperer soundtrack on MCA. And his recording of “Hold On” was used in the indie feature film Love From Ground Zero. Smither also shared insight into his guitar style and technique on two instructional DVDs, available from Homespun Video.

His CD, Drive You Home Again (1999), garnered four-stars from Rolling Stone. And with it, Smither continued to tour world-wide. Shortly after, in 2000, Smither released his one-man-tour-de-force, Live As I’ll Ever Be. Recorded in-concert at various clubs and concert halls in California, Dublin, Galway, Boston, and Washington DC, it has proven to be a fan favorite, capturing Smither at what he loves to do: performing in front of an audience.

Train Home (2003) was Smither’s last record for HighTone and his first with producer David Goodrich. Over a six-week period, basic tracks for Train Home were recorded in the relaxed environment of Smither’s home near Boston. Working with new session musicians, the record is simultaneously sparse and assured. Bonnie Raitt graciously provided backing vocals and slide guitar on Smither’s cover of Bob Dylan’s “Desolation Row.” And Smither’s “Seems So Real” from the CD earned a Folk Alliance Award as “Song of the Year.”

In 2005, jazz great Diana Krall covered “Love Me Like A Man,” introducing what is now a blues standard to a whole world of jazz fans. Shortly after, Smither’s song “Slow Surprise” was included in the independent film, Brother’s Shadow. In addition, Smither narrated a two-CD audio book recording of “Will Rogers’ Greatest Hits.” Continuing to expand his creative horizon, Smither was invited to contribute an essay to Sixty Things to Do When You Turn Sixty, a 2006 collection of essays by American luminaries on reaching that milestone. In 2009, Melville House published Amplified, a book featuring 16 short stories by notable American performing songwriters. Smither’s story Leroy Purcell about a touring musician’s encounter with a Texas State Patrolman leads off the collection.

With the release of his 12th recording Leave The Light On (2006) on his own imprint, Mighty Albert, Smither began a new label relationship with the renowned acoustic and modern folk label, Signature Sounds. For the recording, Smither reunited with producer David Goodrich and session musicians Mike Piehl, Lou Ulrich and Anita Suhanin. As an added treat, Smither invited good friend and Grammy Award-winning multi- instrumentalist, Tim O’Brien, along with rising American roots stars, Ollabelle, to add their distinctive talents on several tracks. Smither followed this with Time Stands Still (2009), his most stripped down recording in some time, working with just two accompanists after the same trio had played a rare band performance – a non-solo setup required in order to play a Netherlands festival.

About the recording Smither says, “We’re the only three guys on this record, and most of the songs only have three parts going on. We had a freewheeling feeling at that festival gig, and we managed to make a lot of that same feeling happen in this record.” In 2011 Smither put out two fan projects: a collection of live tracks from newly discovered concert recordings from the 1980s-1990s titled Lost and Found and the rollicking EP, What I Learned in School, on which Smither covered six classic rock and roll songs.

Smither followed these fan-projects with Hundred Dollar Valentine (2012), a ★★★★★ (MOJO) studio record of all Smither-penned songs. With longtime producer David “Goody” Goodrich at the helm, this collection sported Smither’s trademark acoustic guitar sound and evocative sonic textures meshed with spare, brilliant songs, delivered in a bone-wise, hard-won voice.

In 2014 Smither released Still on the Levee (2014) – a double-CD retrospective. Recorded in New Orleans at the Music Shed, this career-spanning project features fresh new takes on 24 iconic songs from his vast career and some very special guests including the legendary Allen Toussaint and Loudon Wainwright III.

The coffee table style book Chris Smither Lyrics 1966-2012 and Signature Sounds’ Link of Chain – an all-star tribute record including a stellar list of artists offering their takes on some Smither favorites including Josh Ritter, Bonnie Raitt, Loudon Wainwright III, Dave Alvin, Peter Case, Tim O’Brien, Patty Larkin, and many others were fan-favorite accompaniments to the retrospective CD .

In March 2018, Smither released his eighteenth record, Call Me Lucky (Signature Sounds/Mighty Albert) once again teaming up with producer and multi-instrumentalist David Goodrich. Also joined by Billy Conway (Morphine) and Matt Lorenz (The Suitcase Junket), Smither recorded eight new originals along with some very special and surprising covers at the Blue Rock studios in the Texas hills in June 2017.

In October 2020, More From The Levee, the followup to the 50-year career retrospective Still on the Levee, was released. Said Acoustic Guitar: Smither sings about “the big things – life, love, loss – in a penetrating and poetic yet unpretentious way.”

The 20th release, All About the Bones (release date: May 3, 2024 on Signature Sounds/Mighty Albert, distributed by Redeye) is as elemental as the inky black shadows cast by a shockingly bright moon. Featuring eight brand new Chris Smither songs and Smither renditions of Eliza Gilkyson’s “Calm Before the Storm” and also Tom Petty’s “Time to Move On”, the listener is welcomed into some gothic mansion on an imaginary New Orleans street, and there in the lamplit parlor confronts the band, a minimalist skeleton crew: Smither’s inimitable propulsive guitar and rumbling baritone are joined seamlessly to producer David Goodrich’s carpetbag of instruments, Zak Trojano’s rock-steady, primal drumming, BettySoo’s diaphanous harmony vocals, and the flat, mournful flood of Jazz legend Chris Cheek’s saxophone. Recorded at Sonelab Studios in Easthampton MA by Justin Pizzoferrato All About the Bones has a feel that is somehow baroque and austere at once.